The National Midnight Star #2139

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** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** List posting/followup: rush@tnms.com Administrative matters: rush-request@tnms.com or rush-mgr@tnms.com (Administrative postings to the posting address will be ignored!) ---------------------------------------------------------------------- The National Midnight Star, Number 2139 Monday, 16 Nov 1998 Today's Topics: Administrivia DS is wonderful Re: the kid's shirt DS packaging Ditto... Tinker Toys Different Stages Reviews... Enhanced CD No Go? Re: Natural Science from DS The packaging controversy the kid's shirt Cinderella Man - Suprise !!! RE: Geddy Lee interview Re: funny overdub in Cinderella Man???????????? Re: Ice Cold Beer A few thoughts about DS Different Stages Geddy Lee loves RELAYER! Meaning of the DS colors A Farewell to Kings Clusterworks Rush in Pleasantville DS Waterboy CTTH on DS Controversy Geddy's cold during AFTK tour Rush Calendars for your PC! DS-WHAT ELSE BLA BLA BLA... latest column Re: Thank You Rush DS Observations & questions Problem with Clusterworks Program Blown away! Significance of DS Cover Art Re: 8-tracks ...plus a few thoughts on DS Re: AFTK 4:22 Problem solved - three discs and a cardboard sleeve Ged's Voice at the HO ---------------------------------------------------------- From: rush-mgr@tnms.com (The RUSH Fans Digest Manager) Date: Mon Nov 16 09:49:42 PST 1998 Subject: Administrivia Thanks to Ryan Park, Mark Graham, Russ Karlberg, Carl Kolek, Alan Parrott, Kevin Kitchens, Jason Bryer & Cary Hall, I now have all the original RV files BACK UP on the NMS web page! Thanks to everyone else who also offered their copies! :-) The fancast was last night, and *I* thought it was great! It was not quite what I expected, the main interview was on Realvideo, with the questions and (very short) answers typed in the chat room. The only thing the chat room was really good for was to submit questions. Atlantic's web site claims they will reshow the interview, if I find out when I'll post the info here. My video & audio were completely fine once the interview started, I didn't get disconnected once (which was a miracle considering my connection at home is crap). Nothing earth-shattering was discussed, but just to see Alex attack Geddy was worth it! (the transcriber in the chat room described it as "Alex attacks Geddy and begins to hump madly" (he was answering the question how they've managed to get along so well for so long). They were on for over an hour. The sound was a bit muffled at times, and it was REALLY hard to hear if more than one person was talking at the same time, but overall I'd have to give it two thumbs WAY WAY up. The questions were mostly OK, nothing too blatantly stupid (what does yyz stand for? what is the trees about?). And Geddy did say that he is going through lots of videos from the TFE tour and would like to release a DVD to accompany DS. When they reair it I'll tape the audio (if anyone has had success with saving a streaming RV file lemme know) and at least transcribe it. And yes, I'm still working on the album premiere :-) - rush-mgr ---------------------------------------------------------- From: chsederholm@juno.com (Carl H Sederholm) Date: Fri, 13 Nov 1998 17:34:01 -0700 Subject: DS is wonderful I just got my hands on DS and it rocks! I couldn't stop listening to it (even though it does take quite a chunk of time to get through all three cd). It was cool to sort of rediscover songs like Stick it Out and Show Don't Tell. I tend to listen to Hemispheres and Moving Pictures the most often, so some of these later songs don't get lots of play around here. Hearing the crowd throughout the cd was great too, it really had a great effect on the energy of the music. I also have to say that I like this live album better than ASOH in many ways--it seems more "live" somehow. One final note: Geddy's playing is stunning on this cd. Not that I ever doubted before, but he just seems to be all over this recording and I love it! Makes me want to stop practicing the guitar and get into the bass. Carl Salt Lake City, Ut ---------------------------------------------------------- From: "Joseph Ornelas" <nexthttp@geocities.com> Date: Fri, 13 Nov 1998 16:35:44 -0800 Subject: Re: the kid's shirt >Subject: the kid's shirt > >i think his shirt says Y2K, with the 2 in roman numerals.... Maybe it's a sign. There's always that rumor that Rush's new studio album is coming out in 2000... Joseph Ornelas ---------------------------------------------------------- From: "Mark D. Ehlke" <ehlkemd@mlc-wels.edu> Date: Fri, 13 Nov 1998 19:04:42 +0000 Subject: DS packaging Hello fellow Rush fans, I've read plenty of complaints about the packaging already. Why don't you people pick up 3 empty jewel cases? They only cost around a dollar. That's what I've done with my boxed sets. (including Genesis: Archive, which is the best set ever) Three discs is pretty close to a boxset, anyway, so do what I do. Also, someone was wondering what Geddy said at the end of 2112. I'm pretty sure it's "We'll be back in 20 minutes, afer some brain surgery." Another thing--what the hell was that guy thinking who said that all these reviews are one-sided. DS kicks ass! A fact's a fact from Nome to Rome, boy! ---------------------------------------------------------- From: "The Clayton's" <claytons@ticnet.com> Date: Fri, 13 Nov 1998 19:10:35 -0600 Subject: Ditto... To Mike Lowe who said "Anyway, I really enjoyed this...it certainly brought back some warm memories for me. I hope we have the opportunity for 4 more studio albums and another live album around 10 years from now." Ditto, all the way. And, to Adrianne Bosco, I too was at that Great Woods show with my husband. We were Texans transplanted to Rhode Island for a wee while, and did we ever luck out! 10 rows back from Geddy, aghghghghgghh!!! So, we have heard alot from Chicago and Great Woods. Where are the folks hollering from Dallas (where I live now), Toronto, Detroit and Miami? I think maybe that by my good fortune, the shows in Mass and Chicago were shows of the century. I'll tell ya, when they had intermission, I accidentally spilled my newly purchased shoes on some guys shoes. He said "That's ok, you really got into 2112 didn't you?" I replied that I had nearly had a heart attack. What I was thinking was much more personal and sexual in nature, but I didn't want to blurt that out to a stranger in front of my husband! It was true, of about 8 shows that I have seen in Texas, the show at Great Woods was the rockinest by far. I'll count my blessings! And one last quicky note: Has anyone noticed before Resist on DS that Geddy says it is influenced by the country of Scotland (in a pretty good accent, I might add)? We were living in Scotland when T4E was released, and that brings back great memories for me!! Play DS LOUD!!! On the headphones!! Later y'all, Lara ---------------------------------------------------------- From: "The Clayton's" <claytons@ticnet.com> Date: Fri, 13 Nov 1998 19:20:17 -0600 Subject: Tinker Toys I have to agree with whoever said the tinker toys have many meanings to the cd: Jackie and Selena page, probably Neil, Jackie and Selena. [ Nope. : rush-mgr ] Back cover: lends itself to AFTK, and then two later tours. Big Totem pole thing: all praise the priests of Rush, gods to us all, no matter what other gods we may worship!! (take this one lightly ok, I am not cultish or any freakier than the rest of you, except Julienne Daigle. whatever happened to him...) Also, I agree that the guy's shirt who is hauling Alex away in front of Odeon says "Jolly Teabag Body Guard" Don't ask me why, my eyes suck!, But I don't think Neil is flipping us off, I think it's pointer we see there! Enough of that!! Later, Lara ok, ps Spell check wanted to use "dangle" for Daigle. Those of you who remember Julienne will laugh! ---------------------------------------------------------- From: Kurt Smith <earlkese@erols.com> Date: Fri, 13 Nov 1998 20:24:56 -0800 Subject: Different Stages Reviews... Hi everybody- Just thought I'd share some reviews I heard through my various connections. "I really like it. Really..." - Cindy Crawford "This album is almost as good as Snapple (beeelch)..." - Howard Stern "I was busy listening to this album when I killed my-I mean, when my wife was killed..." - O.J. Simpson "This is very definitely a live Rush album..." - Al Gore "Jo Robinson's got some nice jugs..." - Bill Clinton "I haven't heard this album yet but I know it's not good..." - my brother "Well worth a day off..." - Cal Ripken Jr. "These guys made my name known!!" - Rush Limbaugh "D-ff-r--t Sta--s is great!" - Vanna White "I sure wish I could play as well as Alex Lifeson..." - Eddie Van Halen "It clearly says Rush, and 'live' on the cover..." - Al Gore "New Rush release? Abort! Abort!" - John Glenn "Maybe Rush do Beatle song, I get new cow!" - Yoko Ono "Neil says it better than I could..." - Carl Jung "A bonus CD? Why didn't I think of that? I could be 1/3 richer!" - David Gilmour "Can I buy this album with my Visa card?" - Paul McCartney "You can hear people cheering in the background..." - Al Gore "Rush was our biggest inspiration..." - Eddie Vedder "Four-and-a-half stars..." - Rolling Stone (wow!) "Two Thumbs Up!" - Siskel & Ebert "Me. I. Me. Me. I. Myself. Me." - Phil Collins "Now you know the real reason for the lockout..." - David Stern "If your husband continues listening to this CD, it's time to dump him..." - Ann Landers "Sorry, we're closed. New Rush album out..." - Denny's Restaurants "The lead singer says 'Thank you' a lot and you can hear people cheering..." - Al Gore As for meself, I'm still digesting it all. Can you believe this thrill-packed package was only $20?!? I tapes the whole thing, been listening to it in my car since Wednesday morning, just now finished Round 1. I'll just start by exclaiming how generous Rush is. Wow. This is a lot of great, great music. I particularly am blown away by the bass solo in Driven, the Discovery portion of 2112, Natural Science as a whole (drum fills followed to the letter!), and the heavy sound of Roll The Bones. That's just from one listen! This is a fantastic set, I don't know how to keep it from consuming my life for the next few weeks. Rush is the greatest rock band in the universe! RUSHED!, Kurt ---------------------------------------------------------- From: "Frank Sewald" <tensai@interaccess.com> Date: Fri, 13 Nov 1998 19:34:56 -0600 Subject: Enhanced CD No Go? Hi All, Has anyone had any luck with the Enhanced CD portion of the new album. No matter what disc I put into my computer, it only comes up as an audio CD. Other than that, it is an incredible album. I'm quite pleased with the results, and I wish I could find a poster-sized image of the back of the Hammersmith CD holder. Frank S ---------------------------------------------------------- From: Tommer <tommer@execpc.com> Date: Fri, 13 Nov 1998 20:04:10 -0600 Subject: Re: Natural Science from DS Someone wrote: I was listening to Natural Science off of DS and I noticed that Geddy sings the... " Wheels within wheels In a spiral array A pattern so grand..." ( you know the rest) :-) verse twice.. (back to back). I know they repeat the chours again of Analog Kid at what should be the end but did they always sing that NS verse twice or did Geddy screw it up??? *snip* When I saw 'em in Milwaukee on the TFE tour, Geddy sang NS that way here as well, so I think they planned it that way. Maybe just to give an old song a different feeling when they performed it live. Just a thought :-) Tom mailto:tommer@execpc.com http://www.execpc.com/~tommer ICQ# 15240956 "I can learn to resist...anything but temptation..." - Neil Peart, 1996 ---------------------------------------------------------- From: Tommer <tommer@execpc.com> Date: Fri, 13 Nov 1998 20:13:35 -0600 Subject: The packaging controversy Okay...since practically everyone is sayin' how much they hate the packaging, let me be the first to say that I *love* the packaging! It's different, nothing like anything else out there, which is what Rush has always been and done, so why should they stop now just to satisfy the fans? As you all know, they've never done anything to satisfy anyone else but Rush, themselves! So, I say again, why should they stop now? Also, this could very well be the last LIVE album Rush releases. I know it sounds painful to hear (believe me, I hate thinking, "the last Rush..." ANYTHING!), but more than likely, it's true. So, I think we should all appreciate what Rush have given us. Hey...they coulda made you pay the extra $10 or $15 for that third disc ya know! ;-) Cheers all, Tom mailto:tommer@execpc.com http://www.execpc.com/~tommer ICQ# 15240956 "I can learn to resist...anything but temptation..." - Neil Peart, 1996 ---------------------------------------------------------- From: "The Clayton's" <claytons@ticnet.com> Date: Fri, 13 Nov 1998 00:19:26 -0500 Subject: the kid's shirt In response to: <<From: Il Yum Kim <iyk100@psu.edu> i think his shirt says Y2K, with the 2 in roman numerals....>> I was thinking "y" something "k" and don't know why I couldn't see "II" I think you got it buddy! ---------------------------------------------------------- From: Benny <benny@prairie.lakes.com> Date: Fri, 13 Nov 1998 20:27:16 -0600 Subject: Cinderella Man - Suprise !!! What the funk is up with Geddy's voice on DS: Cinderella Man. Crank up your stereo (or headphones) to Disc3 - Track 11. Pay attention starting at time=2:19 where Geddy sings "... Manic depressive who walks in the rain ..." then get ready --- at 2:19 Geddy turns into one of the chipmunks when he shouts "MAKE IT FUNKY ...." right before the jam portion of the tune. I don't know what special effects device he has on his voice - - but I just about crapped my pants. It is now the high point of that particular song. There are a couple other strange noises occurring in that song providing some extra audio-titilation ! DS Rules !!!! And I don't even mind the packaging - ha -ha, Benny Schroeder ---------------------------------------------------------- From: Benny <benny@prairie.lakes.com> Date: Fri, 13 Nov 1998 20:32:10 -0600 Subject: RE: Geddy Lee interview >From the last part of the interview: >> LN: Your music collections on fire, which one do you save? >> >> GL: Relayer by Yes. To all BASS player fanatics. This is one of my favorite albums featuring bass. Chris Squire's bass is really aggresive and way up in the mix. Actually his sound (from that era) is really close to Geddy's 70's bass sound. Squire was also a Rickenbacker player ! Anyway, I would highly recommend this album. I was shocked to see Geddy's answer at first - - but it makes sense when I give it some thought. check it out - Benny S ---------------------------------------------------------- From: Slim Jim <jg@ms.com> Date: Sat, 14 Nov 1998 02:55:45 +0000 Subject: Re: funny overdub in Cinderella Man???????????? Tom Beaudoin wrote: > Hey -- speaking of Cinderella Man on the 3rd disk, what does Geddy (or > someone) say right before the bass solo (at 2:19) ?? Something like "me > funky!" Was that overdubbed later by Geddy this summer as a joke??? No, it wasn't! I remember it very well from the AFTK tour concerts I attended (at Newcastle City Hall). Geddy says "Get Funky!" (through a pitch shifter I think). Come to think of it I still have a home-made bootleg from 14/2/78, it will be interesting to compare it with the Hammersmith show from DS recorded six days later. Also, it's not really a bass solo, is it .. ? More an instrumental section played by the whole band. Actually although it's great that live material from way back when has been made available, I'm a little disappointed that it's from the AFTK tour which remains my least favourite live Rush memory. They seemed to be going through the motions a little. I remember that the Hemispheres tour a year later was *much* better, the group had come through the slightly awkward (IMO) transitional AFTK phase, and everything gelled together a lot better. Slim ---------------------------------------------------------- From: Slim Jim <jg@ms.com> Date: Sat, 14 Nov 1998 02:58:22 +0000 Subject: Re: Ice Cold Beer Hanstones@aol.com wrote: > Did you fellow beer afficianado's notice what Ged says in "Working Man": > "When I get home at 5 oclock and take myself out a Watney's Red Barrel" - !! Unlikely to win the respect of beer drinkers in the audience with that line. I'll have to check my own AFTK tour tape and see if he sings "take myself out a Newcastle Brown".. Slim ---------------------------------------------------------- From: bj105cd@juno.com (B J C) Date: Fri, 13 Nov 1998 22:17:32 EST Subject: A few thoughts about DS 1. The Hammersmith cover: For some reason I assumed it was Geddy's son standing next to him. 2. The main cd jacket, "In loving memory...": The three tinker toys represent Neil (on top) separated from his loved ones, Selena and Jackie (on bottom). 3. Solution to bonus cd falling to the floor upon opening: Get a virgin jewel case and re-release the cd and put it in order with your other Rush cds, that is, between "A Farewell to Kings" and "Hemispheres" albums. 4. Just can't pry Set 3 from the walkman. That performance could have stood very well on its own merit, had they chosen to release it any time before hand. 5. I've never gotten so much for so little money. Rush isn't in it for the money, or the fame. They're about music. That is what sets them apart from the MTV mindset. Do we really want them to be popular in the mainstream? Do we care if Rolling Stone fails to acknowledge one of the greatest rock bands in history? Rush is special to me precisely because they are free from worldly contamination of unrestrained commercialism. Sincerely, Barry J. Cook ---------------------------------------------------------- From: Wonger3@aol.com Date: Fri, 13 Nov 1998 22:18:49 EST Subject: Different Stages Hello fellow NMS'ers! I wrote: >I too went on the multi tour Test For Echo tour! >Nov. 26, 1996 - Great Western Forum in Inglewood, CA >Nov. 27, 1996 - Great Western Forum in Inglewood, CA >Nov. 29, 1996 - America West Arena in Phoenix, AZ (8th row floor on Alex's >side!) >Nov. 30, 1996 - UTEP Center in El Paso, TX >May 10, 1997 - Glen Helen Blockbuster Pavillion in Devore, CA >May 14, 1997 - The Rose Garden in Portland, OR (loudest of all the shows!) > > [ I was at all the shows you were at, except portland. And did I say that > for the November San Diego show I had front row? :-) : rush-mgr ] You are the man of course Rush-Mgr!!! [ Not last time I looked! :-) : rush-mgr ] Question to everyone out there. When will the accompanying Different Stages video be released? Hoang aka Wonger Wonger3@aol.com Ontario, CA "He's got a star map of Hollywood..a list of cheap motels..all along the freeway." Dreamline (Geddy Lee, Alex Lifeson, Neil Peart) ---------------------------------------------------------- From: Benjamin Leimkuhler <bel3697@griffon.mwsc.edu> Date: Fri, 13 Nov 1998 21:34:47 -0600 (CST) Subject: Geddy Lee loves RELAYER! One of the coolest pieces of information about Rush I have heard all year is that Geddy Lee would save Relayer from a fire if he could save only one. Relayer is one of my alltime favorite albums, period. I never would have guessed that Geddy has the same appreciation for it. I have never heard him mention Yes as being one of his favorite bands or Chris Squire as being one of his favorite bass players. Heck, I figured Geddy Lee had never even HEARD Relayer. That just made my day. Now I love the album even more. Ben Leimkuhler ---------------------------------------------------------- From: "Randolph Mack (Hello!)" <rmack1@micro-net.net> Date: Fri, 13 Nov 1998 23:02:37 -0500 (EST) Subject: Meaning of the DS colors > [ Ok, ok, I can't believe that no one's mentioned the colored dots on the > back of the cd; they correspond with the color of ink printed on each > cd. I've been a bit slow this week, and just figured it out this > morning looking at them :-) : rush-mgr ] I can't believe it either, especially with some of the wild theories being thrown around about the tinkertoys. According to the scematic on the back of the case, Tinkertoy #1 (yellow) is Stage 1, #2 (red) is stage 2, and #3 (blue) is stage 3. Also on the back, there are colored dots pertaining to each disk next to the track listings; the dots are yellow (disk 1), red (disk 2), and blue (disk 3). Thus, the tinkertoys correspond to the disks. Do the colors mean anything? Doubtful, at least to me. Just primaries, an attarctive design concept. What really got me speculating was the *space* between the tinkertoys. It seemed to me that Rush has *four* (maybe five) stages, and that the space represented a stage not represented in the CDs: the 80s. Consider the albums recorded in the 80s (PW was recorded in 79, released in 1980, so it doesn't count) and the songs from them on DS: MP: 2, Signals: 1, GUP: 0, PW: 0, HYF: 0. So the missing space, almost exactly a tinkertoy in height, represented the 80s stuff (perhaps chronicled satisfactorly on ASOH to them). This made sense until I studied the scematic. Unforuntately for my theory, the tinkertoys are labeled 1-2-3, not 1-3-4. Doh! Also, there's the problem of the pre-2112 period, which is stage naught (0), or one, whatever, and also the problem that disk 3 is stage 1, chronologically. Oops. So I guess the artwork is mostly just artwork. Shucks. :) (Whatever it is, it's definitely not about Neil's tragedy. I think that's a completely wacked (and inappropriate) suggestion. IMHO) > or the 3 turtles throughout the collage?) : rush-mgr] "Time crawls", no? :) Randy "Life in nature is solitary, poor, nasty, brutish, and short." --Thomas Hobbes, 1691 "Just like my cat Spinoza." --Randy Mack, 1996 ***************************************************************** * | WheatBread Magazine | * * | "All the Fits We Knew to Print" | * * | www.wheatbread.com | * ***************************************************************** ---------------------------------------------------------- From: "Matt Calder" <mrc@30below.com> Date: Fri, 13 Nov 1998 23:41:59 -0500 Subject: A Farewell to Kings A Farewell to Kings thought: Why would we want to find the mimes to lead us closer to the heart? ;-) (It's funnier if you try to get a mental picture) Matt C. ---------------------------------------------------------- From: Ed Lovell <ELovell@Bigfoot.com> Date: Sat, 14 Nov 1998 00:13:03 -0500 Subject: Clusterworks I found a couple things out regarding Clusterworks: 1) If you start your CD player and _then_ start ClusterWorks, you can watch a light show while listening to any CD. You can turn off the built-in ClusterWorks music on the menu. It doesn't appear the music has any effect on the show, just move your mouse to the music :) 2) There are a number of very cool settings if you move your mouse to the bottom of the screen. The settings bar scrolls left and right, also. Wouldn't you think they'd have included some instruction for using the program?? 8^) Ed "A Lifetime of Questions" ---------------------------------------------------------- From: galahad77@juno.com (Ryan N Waggoner) Date: Sat, 14 Nov 1998 00:22:26 -0500 Subject: Rush in Pleasantville At the risk of pissing some people off for starting a new thread this soon after the DS release -- My best friend (and a former TNMS list member) and I went out and saw Pleasantville this evening, and after the movie, we started discussing it, and parallels with Rush songs. (This, while listening to DS...the conversation was intersperced with comments such as, "I'm gonna crap my pants, it sounds so good!!") Anyway, he saw quite a few parallels with 2112, which he explained to me (somehow, I missed most of them), and I saw quite a few....well, not exactly parallels, but "Witch Hunt" kept popping up in my head the whole movie. My question -- has anyone else who's seen this movie thought of any other Rush songs that might somehow be related to it? Ryan/Stimpy These are not my pants. ---------------------------------------------------------- From: mgds@juno.com (Michael P McGee) Date: Sat, 14 Nov 1998 00:38:36 EST Subject: DS Heard the entire DS version of 2112 on the radio today! I couldn't believe it! Quite a commercial "classic rock" station, too. Maybe it was a "rogue DJ." Hopefully he's not out of a job. Natural Science is simply incredible. I have always loved it, and now love it even more. For me, witnessing it live was the greatest concert moment ever, seconded only by the Hemispheres Prelude during the CP tour. Is it jus me, or does YYZ sound *so* heavy? Cygnus X-1 live? Are you kidding me? Anyone who complains about this CD should be shot. Resist is just plain beautiful. I don't understand why this song wasn't played 24 hours a day on the radio. It comes off better on DS than I thought possible. (Speaking of hits, does anybody care to speculate as to why Half the World didn't make the cut?) Also, according to Geddy, Resist was inspired by a Scottish what? I was jamming right along with By-tor and the Snowdog when they stopped right in the middle? Was this the way the song was performed all those years ago? It just seems strange to me that Rush would start a song and not finish it. DS favs: Natural Science, Resist, Analog Kid, Roll the Bones (comes off so well), LTTA, RM (Is it really physically possible to do all this with just two hands and two feet? Are any sampling, or recording-layers-as-you-go-techniques employed? I watched it on the screen-saw it with my own eyes-but still can't believe it.), Farewell to Kings, Cygnus X-1, Cinderella Man. And The Tinker Toy Award goes to (Song most drastically better live than studio): Nobody's Hero ---------------------------------------------------------- From: musicman@m1.sprynet.com Date: Sat, 14 Nov 1998 00:22:55 -0600 Subject: Waterboy Hey folks, it has been a long time since I posted...and I dont intend to start anything this time...(By the way, those of you, and three of you in particular know who you are, who decided to email me threatening messages via an "anonymous" email account, you may want to A) Not list your name with the server....B) AT LEAST go through a firewall!!!) But enough about that....I just got back from seeing Waterboy with Adam Sandler...REALLY STUPID, BUT REALLY FUNNY...and even more important, the finaly scene, when Bobby Boucher is supposed to save the day, what comes blasting over the Sony Digital Surround Sound but none other than Tom Sawyer!!!! I had no idea...but it is like putting on your favourite jacket you have not worn in a while, and finding a 10 dollar bill or something... WHAT A BONUS... I told the person I went with that this movie went in my book from being...ehhh..to ROCK ON!!!! DS Note...anyone notice the random high-hat when geddy starts singing in Natural Science? GREAT ALBUM.... Gotta love them... Catman ---------------------------------------------------------- From: mike <pkta@tnaccess.com> Date: Sat, 14 Nov 1998 00:52:41 -0600 Subject: CTTH on DS Controversy I have been a RUSH fan for 15 years and seen several shows. My wife works long hours and inevitably our four year old son is subjected to RUSH nightly as I complete household chores or office work. One evening when preparing the CD player for my usual routine he quoted a line from CTTH and requested to hear it. Needless to say, I was thrilled. Now, (among other RUSH tunes) he regularly requests CTTH and with help can recite the lyrics. My point is CTTH may be an old friend to most of us but the new/younger fans may find CTTH or TS a turning point in their appreciation for RUSH. So, let it be. If Geddy wants CTTH on DS; I say Thank You! I remember riding in my father's car listening to Buddy Holly on 8 track when I was a kid and will always be a Holly fan. I appreciate the opportunity to do the same for my son. Mike "summmer's oing fast... nights growing colder... children growing up...old friends growing older...freeze this moment a little bit longer...make each sensation a little bit stronger... experience slips away..." Neil Peart, Time Stand Still - 1987 ---------------------------------------------------------- From: "Farshad A, Dailami" <fdailami@ida.net> Date: Fri, 13 Nov 1998 23:57:34 -0700 Subject: Geddy's cold during AFTK tour Hi folks, Just reading the TNMS and there seemed be a couple of observations made with regards to Geddy's voice during the show that appears on disk 3 of the new release (BTW, incredible ... that's all I gotta say). If you caught the broadcast a couple of weeks ago before the album (can I say album still? does that date me?) was released, you will recall Geddy and Alex's account of what happened that particular night they recorded the show. Geddy had a cold and his voice was givin him trouble, so, he ended up phrasing things a bit differently. Yes, his voice does sound scratchy, a bit rough. But, also as they both said, the quality of the musicianship on that particular take was just right ... right enough to make on to this last release. Someone mentioned that they thought they heard Geddy sneeze in the background during Xanadu. That *could* very well be the case, considering Ged's state of health. Just my $0.02 worth. fd ---------------------------------------------------------- From: Grand Designs <gdesigns@idt.net> Date: Sat, 14 Nov 1998 01:54:11 -0800 Subject: Rush Calendars for your PC! Rush Calendars for your PC! A different one EACH MONTH! Get 'em at http://members.xoom.com/gdesigns/ Against the run of the mill Static as it seems We break the surface tension With our wild, kinetic dreams ********************************* Visit the Grand Designs Rush Site http://members.xoom.com/gdesigns/ ********************************* ---------------------------------------------------------- From: Roberto Schiavon <rschiavon@techs.com.br> Date: Sat, 14 Nov 1998 05:15:58 -0200 Subject: DS-WHAT ELSE BLA BLA BLA... Fucking awesome collection of songs and performances!!!!! And fucking hard to handle package! What a beautiful voice of Geddy in the Bravado and Cinderella Man versions! What a Rushier version of Roll the Bones! What a lesson of drumming in the rithym method! What a lesson of swing in YYZ! What a "show and tell" in the AFTK cd!What a lesson in how to be an honest band even with 24 years on the road! I must say, I can't help but envy the guys that, in this list, talk about how much Rush concerts they attended... I would give at least a finger to see a Rush concert, but I live in South America, what can I do? See you... PS: for that guy that told that "Limelight" and "the Analog Kid" are horrible in this cd : Well, at least it made laugh! Thank you... ---------------------------------------------------------- From: Grand Designs <gdesigns@idt.net> Date: Sat, 14 Nov 1998 02:26:26 -0800 Subject: latest column Our monthly column, Signals, has been updated over at the Grand Designs website. All are welcome to participate! Respond to our Different Stages survey! ---------------------------------------------------------- From: Drew Eckhardt <drew@Poohsticks.Org> Date: Sat, 14 Nov 1998 03:12:19 -0700 Subject: Re: Thank You Rush jsmith@sota.com writes: >For those of you who haven't had the chance, do yourselves a favor and >listen to DS through a good set of headphones. This is the best >sounding album I have ever heard and it really comes to life in a >quality set of headphones. Throw it on the high-end system of your choice, and you will be surprised at the sound stage. They've done an asesome job picking up the venue ambiance, with the crowd coming from all over and really adding to a "you are there" experience. There's also the bass impact that you can't get on head phones. I've got it running at 80dB, and can't wait until daylight when I can crank it. >I love the sound of this CD, it's raw but so clean and crisp. The performances are exceptional, the recording and production is excellent (presumably Geddy had a lot to do with this), and what they've done with the crowd is unique. Two thumbs up. - http://www.poohsticks.org/drew/ - Home Page For those who do, no explanation is necessary. For those who don't, no explanation is possible. ---------------------------------------------------------- From: "T. Slovik" <broon@epix.net> Date: Sat, 14 Nov 1998 08:35:23 -0500 Subject: DS Observations & questions KEN DEE'S QUESTIONS (some answered) Neil on the second floor isn't holding anything except the bar on the window he is poking his head through. Why the second floor ??? Good call on the sneeze in AFTK. LOL Take it off Alex !! LOL Ditto on Bravado. I heard that live as it is on this tape at that Philadelphia show. AWESOME !!! The device upper left collage is a Wah Wah pedal by Morley. Gives the guitar sound in Cinderella solo. Crybaby is another type. Other questions...don't have answers. Why the turtle on the lower left collage (and again above Neils "chimes"). Conventional wisdom might say "PRESTO" however...this would not be cronological. The same turtle appears in the correct spot later in the collage. Anyone notice the tinkertoys in the crate in the picture of Neil reading a book just below and left of those same chimes? Misspelled band name in the "SPRO" ad clipping near the "shudder" 8-track. N A Z A R A T H ??? Who is on the GUP access pass (Near the chimes again) ? and why is it out of sequence ? [ This is a baseball player, but damn if I remember his name. I think it lists Rush on the back of his baseball card... someone will post his name I'm sure. : rush-mgr ] Curious...nothing from FBN or CoS ??? or AtWaS or ESL yet SoH gets mentioned??? What is so interesting in the picture on the Technical credits page ? Al pointing, Neil looking (stoned ?) (what is in his hand ?) Ged looking at Camera? Pehaps the answer lies in the reflection in Als glasses. Does Al own any other stage clothes ? Every picture (current) Has him in the same shirt & pants (sometimes shirt is open with another underneath. Geddy at least changes to flannel in one shot. I saw them 3 times this tour. Philly twice and Phoenix once. Again Al in black. Now I have a question. I am an amateur musician. I have played in small clubs for years. IT GETS HOT UNDER THOSE LIGHTS !!! And we only used 30 at most. They use 3-4-5 times that. BLACK LEATHER PANTS with a BLACK VELOUR or is it velvet SHIRT ??? WOW !!! Monolith pic. The guy in the white t-shirt has no right hand. His hand re-appears to the right over the head of the slightly grey haired gentleman. There are a bunch of midgets at the same place. Or fans standing in a hole. There is an Afro American near the foreground. Is this to be politically correct ? I am not racist at all I just have observed over the years that Rush does not appeal to this nationality. Don't flame me for that one. One last observation... Lets see how many Tinker toys we can find in the MONOLITH picture. 1. shaved into the back of dudes head 2. silkscreen on back of jean jacket 3. Earring on shaved head dude 4. white t-shirt 5. Tattoo on arm of white t-shirt guy (where's his hand?) 6. Monolith - AND MOST OF ALL... Please... Don't forget not to forget. later... broon Put your message in a modem and throw it into cyber sea. http://home.talkcity.com/MoshPitWay/broon/ ---------------------------------------------------------- From: Gail Larsen Peterkin <peterkin@accesscom.net> Date: Sat, 14 Nov 1998 08:02:35 -0600 Subject: Problem with Clusterworks Program Hi, I haven't posted in a long time, or even kept up with the digest, but I wondered if someone out there could help me with a technical problem. I just got DS, of course, and installed the Clusterworks program on my Windows 95 computer. It installed okay, but, when I try to run it, the program crashes. I've tried to launch it from the Program menu and from the Control Panel, and I've tried to use it as a screen saver. Each time it crashes, and I get the message "Clusterworks STUPA caused an invalid page fault in module CLUSTERWORKS STUPA.SCR at 0137:004152fl" from screen saver mode OR "Clusterworks STUPA caused an invalid page fault in module <unknown> at 0000:0b75fc5d" from the regular start menu. The helpful fatal crash menu suggests contacting your software manufacturer! So I tried to contact the WonderLab web site, only to find it was still under construction. There were no instructions how to e-mail or otherwise contact technical support. If you have any insights or ideas about how to solve this technical problem, please let me know. I'm dying to see it! BTW, has anyone else had this problem? Other than that, I love DS! I also enjoyed reading the transcript of the interview with Geddy Lee. I like Live at Leeds and Relayer, too. Thanks for posting it. Thanks for your help, Gail - ******************************* Gail Larsen Peterkin E-mail: peterkin@accesscom.net ******************************* ---------------------------------------------------------- From: "Daniel O'Halloran" <Daniel_OHalloran@videon.wave.ca> Date: Sat, 14 Nov 1998 08:17:05 -0600 Subject: Blown away! It's funny how things work out... I went with 2 friends on a lengthy road trip from Winnipeg, MB, Canada to Minneapolis (8 hour drive) then the next day to Aurora Ill, where we crashed at my sister's place. We attended the show at the New World Music Theatre. Funny, this was our first time seeing Rush (although we are long-time fans, they have soemthing against Winnipeg, I guess!!). My buddy FREAKED when I told him that most of the DS material (excluding the bonus disc) were from that show!! He got excited because he was sick during the show and couldn't really enjoy it. Hopefully if there is going to be a live video package, it would be from this show. I don't know if they videoed the whole thing or what. On a side note, it's funny the non-musical things you remember from the show: A guy beside my sick buddy eating an ENORMOUS slice of pizza which almost made my buddy puke. Also a guy in front of us who got totally drunk/stoned. His buddy kept having to support him and he kept reaching for the stage like it was in 3D or something!! He also made a chilly night much colder for himself by letting loose of his bladder half-way through the 2nd set!!! Dan O'Halloran dohallor@videon.wave.ca ---------------------------------------------------------- From: "Craig Branham" <branhacc@slu.edu> Date: Sat, 14 Nov 1998 08:22:01 -0600 Subject: Significance of DS Cover Art ><<Yellow, red, blue. The tinkertoys are yellow, red, and blue, and inside >the liner notes (which are kinda hard to get to imho) there is a yellow, >red, and blue bar on the track listing page. Some of you music fans out >there may be able to think of another album that had these three colours >prominently in the artwork. > >_Synchronicity_, The Police > >Well, _Synchronicity_ was the end for another excellent band (I love that >album), and it incorporated those VERY SAME COLOURS!!!>> Yes, but yellow, red, and blue are the three primary colors. I think that's why they were chosen by both bands to represent the members--only the three can create a full "palate" of colors when mixed. It can't be a sign that Rush is breaking up because they used the same three colors in the square-triangle-circle picture in the 1993 CP sleeve art. I have a point to raise about the photos in the DS packaging, though I'm going to raise it carefully to avoid being threatened by the "bitch-slap" guy from the last digest. While I think pasting the tinker-toy logos into all those photos suits the band's quirky sense of humor, and it makes the packaging somewhat more interesting and challenging to look at, I would have rather that Hugh Syme hadn't doctored photos of the band. Rush can do whatever they like, of course, but it seems to me that pasting a contemporary logo into a photo from 1978 is like drawing a mustache on a cave painting, in magic marker. In the case of the long memorabilia photo--which is super cool (I had forgotten what the label on the 2112 LP looks like!)--it cheapens all of those great artifacts to know that some in the collection have been manipulated. One final note, I really miss NP's wonderful prose. Geddy's liner notes are heartfelt, but IMHO his words lack NP's wit and grace, almost painfully so. Craig B. ---------------------------------------------------------- From: "bytor" <bytor@i1.net> Date: Sat, 14 Nov 1998 08:37:25 -0600 Subject: Re: 8-tracks ...plus a few thoughts on DS Jay "I'll never complain about CD's" Roberts recently waxed nostalgic when he stated: >>Even more nostalgic is the 8 track! I remember that the 2112 8-track used to click over to the next track right as Grand Finale got going!! For those of you who don't know about those dinosaur days, an 8 track was engineered so that the music slowly faded out, the track clicked (there were actually 4 tracks), and the song faded back up. They tried to arrange things so that a track's end was a song's end but it was not always possible. Torture it was for 2112 and definitely a different stage!<< Man, how I hated those 8-tracks!! For a couple of years after buying "Hemispheres" on 8-track, I always thought that there was a 'break' during the title-track after 'Dionysus' going into 'Armageddon'...that is where the track clicked over. I never heard the unadulterated version until a couple years later when I saw the boys on the PeW tour. Also, at the beginning of "La Villa...", the track clicked over after 'Buenos Nochas...' Boy, those things sucked big time. Which brings us exactly 20 years later... I cannot help myself not to listen to this new live album *completely cranked up*!!!! I've heard alot of live albums in my day, and I simply can't think of one that matches the production value of "Different Stages". And while some may complain about the packaging from a practical standpoint (the loose Hammersmith disc, cardboard sleeves, etc), you can't tell me that the artwork and layout isn't anything less than stellar!! Hugh Syme just gets better with age. I will ask this, though: if any of our graphically inclined Rushians out there come up with some nice scans suitable for jewel cases, please let us know...I'd be interested. And finally, since I don't have a CD player in the car, I had to make up a 90-minute tape of some of my personal faves from DS. So for those who may need to follow suit, here's the set of songs I used: Side One: 2112 Analog Kid Freewill Natural Science Spirit Of Radio Side Two: Dreamline Limelight Driven Bravado Animate Nobody's Hero Closer To The Heart YYZ Each side is approximately 43 minutes in length. Just my random thinks... Dave ---------------------------------------------------------- From: "Craig Branham" <branhacc@slu.edu> Date: Sat, 14 Nov 1998 08:46:13 -0600 Subject: Re: AFTK 4:22 > I was intrigued by the recent suggestion in TNMS that Geddy sneezes > around 4:22-4:23 on AFTK on the 3rd disk of DS. I don't think it is a > sneeze, though: it sounds like a fuzzy cymbal hit. I'm curious as to > what others think. And why would Geddy sneeze into the microphone? It wasn't directly into the mic, but off to the side, the mic just picked it up. In all of the recent interviews posted here, GL has said that the reason this show was never released until now was that he wasn't satisfied with his vocal performance. He said that he was suffering from a cold that night, and that he had to adjust his vocal phrasing to compensate. It's amazing to me what high standards Rush have for their performances. Although sometimes I hear the odd mistake at their concerts, I really have a hard time distinguishing the subtle nuances between performances that Rush trouble themselves with. But then, that's why they're the musical gods they are. Craig B. ---------------------------------------------------------- From: "Brad M. Parmerter" <PARMERTERB@newton.hartwick.edu> Date: Sat, 14 Nov 1998 10:50:36 -0500 Subject: Problem solved - three discs and a cardboard sleeve I love the packaging - although it will be put in a protective sleeve and the discs will be put into two jewel cases - email: paulsstore@aol.com (or maybe it's paulsstores@aol.com) he has clear double slimline jewel cases for 2 cds (like the new marillion remasters) and order one from him for the first 2 discs and then put the 1978 show in a single case. problem solved. Brad-alexmeister vonBastille ---------------------------------------------------------- From: Gregg Jaeger <jaeger@cgl.bu.edu> Date: Sat, 14 Nov 1998 10:57:55 -0500 (EST) Subject: Ged's Voice at the HO In regard to Chris Anderson's comments about Ged's voice - if I recall correctly Ged said in the premier show that he had a cold. Cheers, Gregg _____________________________________________________________________ Gregg Jaeger, Ph.D., Guest Researcher Optical Technology Division Off: (301) 975-3755 National Institute of Standards and Technology Lab: (301) 977-2375 Physics Bldg.(221) Rm. B208 FAX: (301) 869-5700 Gaithersburg, MD 20899 jaeger@cgl.bu.edu http://acs.bu.edu:8001/~jaeger (personal hoempage) http://sed.nist.gov/Divisions/Div844/staff/Gp4/jaeger.html (NIST page) _____________________________________________________________________ ----------------------------------------------------------
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