The National Midnight Star #374

Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush-request@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list Subject: 11/13/91 - The National Midnight Star #374
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** List posting/followup: rush@syrinx.umd.edu Administrative matters: rush-request@syrinx.umd.edu or rush-mgr@syrinx.umd.edu (Administrative postings to the posting address will be ignored!) ---------------------------------------------------------------------- The National Midnight Star, Number 374 [ Post of old mail items to catch up ] [ Number two of many ] Wednesday, 13 November 1991 Today's Topics: Pgh Show -- SPOILER More Poll Info Old tunes in old shows spoofs Alternate Lyrics... (none) A Question for the SPOILED Ones Anagrams once more Spoilers, sorta. Pittsburgh. rapper, etc. Rolling Stone screws Rush. . .AGAIN!! Observations & whatnot... from the Cincinatti Show (10/29) SPOILER (well, sort of) - Cincinatti 10/29 show Remember Death? Pittsburgh RTB show (some SPOILERS) Second NYC Show! Pittsburgh/semi-spoiler Writing to RS IMPORTANT - PHILLY SHOW JUST ANNOUNCED! Rush Tix in Worcester Rush on Geraldo Greetings/Vocal Harmony Hartford on-sale date Greetings/Harmony/The City Rush Forgot addendum to my last posting re: Hartford/Worcester/Providence tickets Happy Halloween! Voice in Camera Eye Rush RollTheBones Tour Shirt... you can twist perceptions/ reality won't budge. ---------------------------------------------------------- Date: Wed, 30 Oct 91 11:22 EDT From: Don Quixote <REHST3@vms.cis.pitt.edu> Subject: Pgh Show -- SPOILER The boyz really rocked Pittsburgh on Monday night. It was my first live Rush show and they really kicked some major gluteus max. They played 18 songs on the regular program and sewed together another 6 for the encore; the list is the same as those in other spoiler posts. Just a few observations: 1. I was really suprised that they would play Limelight and Freewill as the 2nd and 3rd songs of the show; I thought they would save them until later. These were some of the best songs they played all night. The boyz were at their peak for these two warhorses; they sounded like they recorded them just yesterday. I wasnt sure if this was 1991 or 1981. Geddy and Alex looked like they were really having fun jamming onstage. I was ecsatic. 2. There is nothing like hearing Bravado and Time Stand Still live; they sound so much better; full or more energy and passion. It really changed the way I looked at those two pieces, and I can appreciate them much better now. The video for Time Stand Still was also great, a journey through the mountains and forests of western Canada -- very panoramic. 3. I was hoping all along that La Villa and Xanadu would be in the program and my dream came true. The lasers were awesome during these two numbers, the way they sliced through the fog like a razor blade; it was very similiar to seeing a Laser Rush show at Laserium. The effects were stunning and Alex's solo in La Villa was brilliant. 4. Other comments: Geddy's bass was really kickin' ; I could feel not only my body but also my clothing vibrate to the beat. Neil was at top form as usual, esp during Big Money and Show Dont Tell when he enters his hyperactive mode. Rabbits appeared during Superconductor and they danced during Tom Sawyer, which was entertaining to watch. All in all, it was an awesome show and I was really moved by it. For those of you with tickets to future shows, get ready for the time of your life! The Power Trio will amaze you. Bob Hackenberg MSE Undergraduate, University of Pittsburgh ---------------------------------------------------------- Date: Wed, 30 Oct 91 11:04:17 CST From: Michael Silverman <cubsfan@buhub.bradley.edu> Subject: More Poll Info A repost for those who missed the NMS the other night: I am conducting a very short poll, only 3 questions long. 1) Favorite Studio album 2) favorite live album 3) Favorite song (overall) I've only received 12 votes so far, so if you like Rush, and if you have opinions (in other words, if you are cconscious and are reading this mailing list) then VOTE! Send votes to: cubsfan@buhub.bradley.edu So far I have received votes from the following people: duago@soda.berkely.edu changed%robotics.Berkely.EDU@ucbvax.Berkely.EDU artrocker%maple.decnet@pinecirca.ufl.edu CP_PWM@cms.bristol.ac.uk dwhite@dsys.ncsl.nist.gov bhatia@cadence.COM bigal@wpi.WPI.EDU haines@chook.cs.adelaide.edu.au saunders@lutler.cle.wisc.edu rushlyn@athena.MIT.EDU AS374112@orion.YorkU.CA cm5mt@andrew.cmu.edu ======================================================================== Mike Silverman | "Changes aren't permanent, but change cubsfan@buhub.bradley.edu | is..." - RUSH ---------------------------------|-------------------------------------- GO CUBS (1992 NL Champions) | "Space, the final frontier. These are GO HUSKERS (1992 NCAA Champions) | the voyages of the Starship Enterprise" ========================================================================= ---------------------------------------------------------- Date: Wed, 30 Oct 91 10:34:12 -0800 From: David Conley <dmc@u.washington.edu> Subject: Old tunes in old shows I couldn't resist my two bits worth regarding old songs played on old tours... I saw many shows in the late 70's early '80's time frame except for the AFTK tour (curses!!) Let's see if I can reminisce: >Ceri Morgan wanted to know if certain songs had ever been played live. >I've never HEARD them live, but I do have recordings of the following >tunes: >Natural Science Played on the PW tour, but I think that was it...can't remember it played since :-( >Jacob's Ladder Also played on the PW tour and I think again on the MP tour- appears on ESL of course! >Something for Nothing An old standard for many years, played on 2112 tour as you can guess since it appears on ATWAS, also played on subsequent tours such as Hemispheres and PW...disappeared around the time of MP. >The Trees Performed live lots o' times- on Hemispheres, PW and I think again on MP... popped up from time to time since? Can anyone confirm? >Working Man Ah yes.... A Rush standard for umpteen years....played on nearly every tour up until MP...faded out after then but bits and pieces appeared in encores from time to time. >I have never heard at all, Cinderella Man, live. I wouldn't mind it! I >don't know what will get played this time around .... I'm seeing them >Thursday night, though. I can't wait! > - Jeff Right you are Jeff. To my knowledge this one has never been played live, although I missed the AFTK show :-( I certainly wouldn't mind its resurrection! In the old days, it seemed that Rush played nearly every song from whatever album they were promoting. I remember the MP show vividly... all tunes except Witch Hunt....or was it no Vital Signs...maybe it wasn't as vivid as I thought (deteriorating neurons!). I guess there are just too many songs in their repertoire to allow all the new tunes to be played. Too bad tho! Who else is disappointed by the play list on the RTB tour? My feeling is that it is time to can Force Ten and Tom Sawyer (blasphemy you say!). Just a little taste of something off of CoS please!!! Cheers, David ----- David Conley University of Washington School of Medicine, Seattle dmc@milton.u.washington.edu ---------------------------------------------------------- From: LAUGHREN DENNIS P <laughren@ucsu.Colorado.EDU> Subject: spoofs Date: Wed, 30 Oct 91 11:59:10 MST Ok folks im putting together a spoof list, but i need YOUR HELP! This is a list of what I have. I know it's not complete, so please mail me the ones i don't have, so i don't have to spend my life at syrinx going through back issues... even at SKI-U we have a couple classes. Shift Up Mobile Homes Pitch Bunt Ask Me to Dance The Big Wheel of Fortune Grocery Line No Tide Geographa Rockline thanks! the denster ORQ:"...hey Cookie it's a quarter to eight..."-Ged [ Remember, this is now available at the anonymous ftp address in the file 'rush/special/song.parodies'. If there's something missing from there, send me mail at the admin address. :rush-mgr ] ---------------------------------------------------------- Date: Wed, 30 Oct 91 14:04:14 EST From: "David S. Schmidt" <dschmidt@sales.stern.nyu.edu> Subject: Alternate Lyrics... I was listening to a bootleg from the "All the Worlds a Stage" tour, and I noticed something interesting. This bootleg (thanks Pete!) was recorded on June 2, 1977, in Manchester England. The album "A Farewell to Kings" was recorded in Wales in June, 1977, so this was prabably Rush's last warm-up before recording. After playing 2112, Geddy says: "We'd like to do something new for you. This is gonna be on our next album, this is called "Xanadu." The song is slightly different then the recorded version on AFTK, most noteably in the following passage: I had heard the whispered tales Of immortality The deepest mystery *The miracle of the ages coming true* On the AFTK version, the last line is: ---------------------------------------------------------- From: an! Maybe this could add some insight to the meaning of Xanadu. By the way, they also played "The Necromancer" at that concert! On a more current topic, I haven't read the SPOILERS, but I think someone said that they only played 3 songs from RTB? I hope that's not true! Sure, I want them to surprise us with lots of old stuff, but I would really like to hear more live RTB! Has the RTB video hit MTV yet? ---------------------------------------------------------- Date: Wed, 30 Oct 1991 14:15 EST From: Mueller@DREW.BITNET, Matthew S <MMUELLER%DREW.BITNET@pucc.PRINCETON.EDU> Subject: A Question for the SPOILED Ones Date: 30-Oct-1991 02:06pm EST From: Mueller, Matthew S MMUELLER Dept: Tel No: (201)-408-4432 TO: Remote INTERNET Address ( _IN%RUSH@SYRINX.UMD.EDU ) Subject: A Question for the SPOILED Ones My second post....wo dude, excellent!! Hey, for all those who have seen the show or are spoiled: Why do the Boyz open with Force Ten? It's the first song two studio albums ago. Isn't that against long standing Rush tradition? Shouldn't they be opening with Show Don't Tell? Please, enlighten the curious. -Matt the Bassist ORQ--"OOOOOHHHH YYYEAHHH!! OOOOOOHHHHHH YYEAAHHHHH!!!..."-G. Lee Finding My Way ---------------------------------------------------------- From: Tero Valkonen <one@clinet.FI> Subject: Anagrams once more Date: Wed, 30 Oct 91 19:06:09 EET To Nicholas A Mascari, who asked the big question "who cares if they're not FULL anagrams?"; I do. I wouldn't have cared if the song had been titled Partial anagram (For Mongo). I like the lyric, though. I also found it rather funny that people start realising that there are anagrams in a song TITLED Anagram, now, only some two years after the release of Presto. Sad, isn't it; Rush play every bad tune they ever did (Time stand still, Force ten, <everything from RTB>, Closer to the heart, The pass, The big money) on the current tour. Anyway, I would LOVE to see them, just because of Xanadu. -- Tero Valkonen one@clinet.fi ---------------------------------------------------------- Date: Wed, 30 Oct 91 15:05:13 -0500 (EST) From: Barry Lowell Brumitt <bb1v+@andrew.cmu.edu> Subject: Spoilers, sorta. Pittsburgh. rapper, etc. Great Show. 'nuf said. About an arms length from the stage on Geddy's side, so it was spectacular. Alex was so *clearly* absolutely enjoying himself! Laughing, sort of, as he played... very nice! Alex was on the keyboards, once or twice, he had one on his sie of the stage. Geddy's voice is going, no surprise. He dropped down an octave a couple of times. Here's the *really* bizzare thing I noticed. When the "rap" section of RTB came on, the lights went *way* down on Neil, so I couldn't see his face at all. Furthermore, just before the "rap", his sequencer (the guy who keeps his drums going during the show) was 1st putting somethign on the end of a wire into the kit, and after, he removed it. *and* as the lights came up, Neil was *abosolutely* definitely seen to say/sing/mouth "Get Busy" as he turned back to the front of his kit. Wild outlandish hypothesis: Neil does the singing during the rap, no one can tell because of the lights. More likely hypthesis: Just him keeping time with the music, and the stuff the sequencer was doing had to do with the different set of drums he appeared to be using during that section... Anyone else at the pittsburgh show notice that? Anyway, best concert I've ever been to. Maybe the seats helped... also, mixing was *much* better at the arena this time, than for Presto. Barry ---------------------------------------------------------- Date: Wed, 30 Oct 91 15:22 EDT From: KRKST2@vms.cis.pitt.edu Subject: Rolling Stone screws Rush. . .AGAIN!! That's right folks, in cse you didn't see Rolling Stone's list of the "100 Greatest Album Covers of All-Time"(what a crock of sh*t), here is a list of some that did and those that did not. Did: Virtually every Rolling Stone album Virtually every Beatles' album A bunch of albums with nudes on the cover Did not: All but 1 Yes album No, none, nada, zip, zilch, zero Rush albums Now in all honesty, would you think that a picture of the Beatles is better than the artwork on Grace Under Pressure, Caress of Steel, or any other Rush album cover (excluding the first one). Really, give me a break!! If you want some real evidence of Rolling Stone's non-interest in Rush, now you have it. Anyone writing letters better include this little incident as well. By the way one of the judges was Kurt Loder from eMpTyV. Kevin Ryan Kirwan The University of Pittsburgh Let's Go Pens!! OBQ : "Catch the mystery, Catch the myth, Catch the spirit, Ketchup." - "Tom Sawyer" at the Pittsburgh show ---------------------------------------------------------- Date: Wed, 30 Oct 91 16:32:02 EST From: Ross Allan Roberts <rroberts@magnus.acs.ohio-state.edu> Subject: Observations & whatnot... from the Cincinatti Show (10/29) Greeting, fellow Rush fans, and a special 'howdy' to my brethern who attended the show in Cincy, home of the losing-ist football team yet this year. I just had a few thoughts that struck me during the RTB show I saw and thought I would just pass them along... I don't think I'll have any spoilers here, but it's hard to determine just what someone will intrepret as one. Well, heeeere goes... 1. Geddy Lee had his hair down instead of pulled back in a tail... for thse of you who have seen him like this, doesn't he look like Joey Ramone? (of the Ramones) Spooky thought... 2. Is it me, or has some of the keyboard padding been removed? I noticed some of the arpeggiated runs in 'The Big Money' weren't there. It's not like they didn't already have them saved somehwere from the last tour... are we minimalizing the k-boards? (no complaint... just curiosity) 3. $23 for t-shirts?!? OUCH! Me thinks that doth suck royal eggs... even though I gave it up for them... 4. Am I wrong to wish for a longer show? Sure, 2 hours is great, but with so much material AND tix costing $23 and up, I don't think 2 1/2 - 3 hours is unreasonable. If Floyd can do it, why can't Rush? 5. Xanadu- They STILL have to work on it. The lasers aren't changing at the precise time, and Ged even played a foul chord at the end of the change from 7/4 to 4/4. It just still looked rough. 6. I heard the 'Dreamline 3 Pings (tm),' and they sound like sonar. Or more precisely, k-board-emulated sonar... or a bass note detuned +5 octaves, reversed, truncated, and mixed with a belch. I'll stop here, as to not overflow the rush-mgr's 80 line limit (though I probablly did). I have some other ones, but they elude me at the moment, so this is 'to be continued...' Row The Boats. (ps... anyone have a spare tik for a Cleveland Show? or Toledo? :-) __________________________________________________________________________ |Ross Roberts | KEYSTONE DRAFT LIGHT DRY!!! | |rroberts@magnus.acs.ohio-state.edu|The Great Light Beer In a Can | |DoD#0340 |That Tastes Like Beer In A Bottle | |Vai, Rush, Apple, Pioneer, Honda |That Tastes Like Beer In A Keg | |and about $50,000 are all I need! |With No Beer Taste, and No Aftertaste| -------------------------------------------------------------------------- ---------------------------------------------------------- Date: 30 Oct 91 17:00:00 EST From: "Mike Andrews" <kramer@wittenberg.edu> Subject: SPOILER (well, sort of) - Cincinatti 10/29 show Actually it isn't so much a spoiler as much of confirming what everyone's said about the other shows. Big disappointment on not hearing YYZ and In The Mood, big surprise on hearing Limelight and Anthem and Xanadu (again). They did seem to be a lot less keyboard intensive - they did mostly bass oriented stuff instead of Ged spending lotsa time on the keys. It did seem that they were doing a lot of untriggered sequencing/sampling, but that could be either a) Neil doing more of it b) my terrible nosebleed section 215 row K seats (Riverfront Coliseum) blocking my view of Geddy's midi pedals... Oh, and whoever mentioned the start of "Subdivisions" being different at the show they saw - same here. At first I thought it was Ged/Alex forgetting to come in for their first measure, which is what it sounded like, but since it happened at more than one show, maybe it was intentional. I dunno. Sounds kinda strange to me... Anyway, Bill and Ted would have said the show was most excellent. Rush is far from dead... On another subject - any Rickenbacker bass owners have any tips on dragging some good Rush-ish or Yes-ish sounds out of the thing? I just got a hold of a 4003 in good shape and put Rotosounds on it... Sounds great, plays great... (What all is the difference between a 4001 and a 4003 anyway?) Mike -- Mike Andrews | kramer@wittenberg.edu kramer@wittenbg.bitnet (school) | mdandr00@ukpr.uky.edu mdandr00@ukpr.bitnet (home) -- "Bass players do it deeper..." ---------------------------------------------------------- Date: Wed, 30 Oct 91 19:25:12 -0500 From: sakkascb@ucunix.san.uc.EDU (Chris B. Sakkas) Subject: Remember Death? Has anyone noticed the little morse code message on the inside cover of the Roll the Bones tourbook? On the bottom of the inside cover, you will see a series of skulls and bones. Using the skulls as dots and the bones as dashes, you will plainly see a message. Any thoughts on what this means? Also, the Cincinnati show was last night(October 29th) and it was great! They have renewed my faith in them as primarily a rock band! Chris (sakkascb@ucunix.san.uc.edu) "We draw our own designs, but fortune has to make that frame." - Rush ---------------------------------------------------------- Date: Tue, 29 Oct 91 14:56:33 -0500 From: "John W Connelly" <connelly@unix.cis.pitt.edu> Subject: Pittsburgh RTB show (some SPOILERS) Hey youns guys, Great show last night! Since the playlist was the same as the first two shows, I won't repeat it here. I'll just repeat that Neil's solo is indeed new, and I'm glad someone pointed out he had only one bass drum, cuz I thought I was losing my mind. The encore was incredible, and a pleasant surprise. In a nutshell: HOW MUCH OF THE NEW ALBUM DID THEY PLAY? 4 songs, and all from Side 1 (i.e. no "Ghost" :( HOW WAS ERIC JOHNSON? Great! Couldn't figure out what he was saying between songs. He hit the stage ON TIME, and played for, oh, 40 minutes or so. WHO WAS THE MYSTERY RAPPER? To those who thought the mystery rapper was Leonard Nimoy/Spock, you're wrong: It was BONES... ;-) Finally, I don't know if Pgh Rush Party #2a ever happened on Saturday night (Doug, you still out there?), but #2b went down as scheduled. Glacier Bay (and it's new incarnation, Arctic Bay) and Rush CDs were the late-afternoon, pre-concert fare. The distance-travelled award goes to Chris and Bryan from Penn State. Chris also gets the Best Imitation Kazoo award. :) After speaking to kdrenard@pittvms and cn0p+@andrew, we've decided to push for live music at Pgh Rush Party #3, once we find a suitable place and time to have it. So, to those of you still awaiting your tour dates, GET OUT THERE AND ROCK, AND ROLL THE BONES! --JC /===========================================================================\ | John W. Connelly | "If you choose not to | connelly@unix.cis.pitt.edu | | 511 LRDC Bldg. | decide, you still |+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=| | U.of Pittsburgh | have made a choice" | CONNELLY@Pittvms.BITNET | \===========================================================================/ ---------------------------------------------------------- Date: Wed, 30 Oct 91 23:35:54 EST From: "David S. Schmidt" <dschmidt@sales.stern.nyu.edu> Subject: Second NYC Show! The Dec. 6th show at Madison Square Garden is sold out, and a second date has been added. Tickets go on sale Saturday (Nov. 2nd) at 9am at the MSG box office and TicketMaster. ---------------------------------------------------------- Date: Wed, 30 Oct 91 23:59 EST From: <TWA101@PSUVM.PSU.EDU> Subject: Pittsburgh/semi-spoiler After nine loooooonnnnnnggggg years of enjoying the boys' music, I finally had the (ghost of a) chance to see them in concert. I left the civec arena smelling of smoke (cigs and a touch of Columbian Camels), no hearing in my right ear, and my head pounding like there was no tomorrow. But you should have seen the size of my smile! I think it's still stuck! My best friend bought eight tickets and was gracious enough to offer me one (I'll be kissing her boots in eternal gratitude). As for the show, I'll limit my comments to the following: Eric Johnson is a damn good guitar player. His voice is lacking (to say the least). He tries to sing with power, but his cords just can't cut the mustard. He ought to approach his vocals with the same intricate finesse that he uses in his playing (Geddy has been using more finesse in his singing these days. Face it after all these years, his voice is bound to loose the old time power. Don't get me wrong, I'm not knocking Ged. I think that his singing is actually at a higher level now than it was in the past). If Eric ever starts using his voice like the instrument that it could be, we'll have quite an act on our hands. I was pleasantly surprised at the range of songs that the boys did. I felt that they covered quite a broad spectrum. Some of the bits used in the mondo-jam at the end I couldn't place a name on and one I not even sure that I heard before. I haven't yet developed a deeper knowledge of their older work (after all, I've only been a fan for nine years and the do have quite a few albums that aren't exactly free. Give me a little more time). Even though they didn't play the songs that have the most meaning to me (Lock And Key, Kid Gloves, War Paint, I Think I'm Going Bald, and Red Barchetta (they played part of it)) I have only one complaint. TIME did not STAND STILL. Other than that I have nothing else to say. For me it was beyond words. Honest! I guess the wait made it all the more sweeter. I can almost die in peace now. That is all, Tim AumAn ---------------------------------------------------------- Date: Thu, 31 Oct 91 02:28:29 EST From: Corum%USCN.BITNET@uga.cc.uga.edu Subject: Writing to RS If you must write to Rolling Stone to express your disappointment with their album, uh, "critics," write something like this: To whom it may concern: I am notifying you separately of my intention to cancel my subscription to Rolling Stone, effective immediately. My request is being mailed under separate cover. My reason for cancelling is as follows: _____________________ --and then give them the best, most polite hell you can muster over their alleged album reviews. Then, the coup de grace: [something like] "..I realize that the opinions of your reviewers -- note, not critics -- are their own, and you have no control over them, but really! How can we take you seriously as a music magazine when your reviewers don't know their craft?" Send this even if you DON'T subscribe. Even if you aren't cancelling. (Although, frankly, I'd sooner be set on fire! I cancelled a while back when I realized they had become more of a political organ of the left than a music rag.) Your opinion matters little. Your money matters more. Mention that you're recommending that your friends cancel their subscriptions, or ignore the magazine. --For best effect, mention that you are re-subscribing. --To SPIN. :-) --Paul W. Cashman ---> Cashan <--- Corum@uscn.bitnet Pres., Int'l Michael Moorcock Apprec. Soc. Better the pride that resides In a Citizen of the World Than the pride that divides When a colorful rag is unfurled --NP/"Territories" ---------------------------------------------------------- Date: Thu, 31 Oct 91 07:32:19 -0500 From: at656@cleveland.Freenet.Edu (Michael Sensor) Subject: IMPORTANT - PHILLY SHOW JUST ANNOUNCED! IMPORTANT! IMPORTANT! IMPORTANT! IMPORTANT! IMPORTANT! IMPORTANT! Ticketbastard and the Spectrum just (7:30 am) announced that the Philadelphia Rush show has *NOT* been postponed to the 14th of December. The show will be on the originally announced date - Tuesday, December 3 - and tickets will go on sale THIS WEEKEND. Prices are $29.50 for "Gold Circle" (Don't ask me, I just live here!) and $19.50 for usual seating. This was confirmed through a call to the Spectrum, so it's not just heresy! ;-) ;-) (Or should I say hearsay?) Anyone planning to come into Philly to wait in line, please E-mail me and perhaps we can get together, eh? (Also - I know of some other *good* places to wait in line...) Frantically digging for money, Michael -- |======| Michael Sensor | "Philosophy is the goal toward which religion || Department of German| was only a helplessly blind groping." || Temple University | - Ayn Rand ==== Philadelphia, PA | <at656@cleveland.freenet.edu> | Nome to rome... ---------------------------------------------------------- Date: Thu, 31 Oct 1991 12:44 EST From: "ROCK, AND ROLL THE BONES" <FMOORE@vax.clarku.edu> Subject: Rush Tix in Worcester For ALL Rush fans in the New England area, tickets for the December 10th show at the Centrum go on sale on Saturday. I haven't heard when they go on sale for the Dec. 9th show in Providence, but I'll post it as soon as I know. Also about the boyz stuff, they were the last song played before the Van Halen show opened last night, YYZ. (VH rocked as well, but that's for another list.) See you at the Centrum, in December. Frank. :) ! ---------------------------------------------------------- Date: Thu, 31 Oct 1991 12:48:58 -0600 From: Matt Jun <jun@ux1.cso.uiuc.edu> Subject: Rush on Geraldo Well, not quite. I just happened to watch the beginning of Geraldo tues. afternoon. The subject of the day was satanism. Now, I know Rush is in no way satanic, but they showed a picture of this satanic graffiti covered wall and right there in the middle was a large red upside-down star with a circle around it and the number 2112 below it. I chuckled and changed the channel. Just thought somebody might find it amusing. Later, Matt J Nine days till the big show! ORQ-It's a hornier bass....it's ared, horny bass -G.L. ---------------------------------------------------------- Date: Thu, 31 Oct 1991 12:08 MDT From: SLCKM@cc.usu.edu Subject: Greetings/Vocal Harmony Thomas Earl Bowers Utah State University "HOLY BATSHIT, FATMAN! I mean..." slckm@cc.usu.edu -Robin ---------------------------------------------------------- Date: Thu, 31 Oct 91 11:23:03 PST From: The wheel is turning <siegel@kali.enet.dec.com> Subject: Hartford on-sale date Hi all. I've been totally read-only until now, but this info is too important to go unsaid. I just got off the phone with a lady at the Hartford CC, and she said tix go on sale for the 12/1 show *tomorrow* (that's Friday) morning at Ticketmaster (and the box office, too, I assume, although I didn't ask). As for Worcester and Providence, the Centrum's recording makes no mention of the boys, and someone at Providence said there was no definite date yet, but that something should be ironed out soon and that I should call back. Numbers you can call to talk to a human: Hartford: 203-249-6333 Providence: 401-331-0700 Worcester: 508-755-6800 The Worcester Centrum box office recording is 508-798-8888 I'm assuming that there is no show at the Boston Garden. The original posting of the venues/dates indicated 12/10 as 'Boston', but, since the tour shirt says Worcester, I'm assuming 12/10 will be a Worcester show. If someone hears about the Centrum or Providence, please post the info, and send me mail, too :-) since the NMS doesn't go out immediately. ORQ: "Yeah, Ho, Yeah!" - Geddy in "Finding My Way" Happy Halloween! adam siegel@kali.enet.dec.com ---------------------------------------------------------- Date: Thu, 31 Oct 1991 12:26 MDT From: SLCKM@cc.usu.edu Subject: Greetings/Harmony/The City Rush Forgot Greetings And Salutatitons!! This is my first post to the NMS, although I've been subscribing for nearly a year.(blah blah) Someone a while back mentioned harmony...one that I don't think has been brought up is the low fourth in the chorus of ``New World Man''. It's a quiet one, but it's in there. Speaking of vocals, does anyone know if the boyz use tape machines or harmonizers in concert? On the Presto Tour I was very impressed with Alex's assistance in the harmony department, but there were songs that I'm sure had more than two vocals going on (``Scars'' and ``War Paint'' for example). No flames please--I'm not accusing them of lip-synching or anything... And now that we're on the subject of touring, I saw the ``projected'' dates for the RTB Tour up thru April, and I was distressed to find out that they are not (as of current info) going to play Salt Lake City! Hey, we even have a big new arena, dammit! If anyone has any contrary info on this, it would be greatly appreciated. They skipped us over on the HYF tour too, and I can't jump state whenever I feel like it... Thom Bowers "...I just go 'Aargh'"! Utah State University --NP slckm@cc.usu.edu ---------------------------------------------------------- Date: Thu, 31 Oct 91 11:29:41 PST From: The wheel is turning <siegel@kali.enet.dec.com> Subject: addendum to my last posting re: Hartford/Worcester/Providence tickets Just got some more info. Even though the Centrum box office recording made no mention of a show, I decided to call the admin office, as I had done for Hartford and Providence. Turns out tix go on sale for the 12/10 Worcester show Saturday, Nov. 2, at Ticketmaster and the Centrum box office. So there you have it. To re-cap: Hartford, 12/1, tix on sale Nov. 1 at ticketmaster Worcester, 12/10, tix on sale Nov. 2 at ticketmaster Providence, still unknown disclaimer: I assume no liability for the above info. I strongly suggest you confirm my info for yourself using the numbers I just posted. good luck! adam siegel@kali.enet.dec.com ---------------------------------------------------------- Date: Thu, 31 Oct 91 15:41:58 EST From: sjuphil!jr040923@uu.psi.com (Joseph Roberts) Subject: Happy Halloween! Yo People, Happy Halloween! Now go home and listen to "Witch Hunt" at midnight! By the by, the Philly show has been re-poned for Dec.3, with tix goin' on sale Saturday (thanx again, Mike!). Well, it's off to see the Flyers destroy San Jose (is this a guaranteed win, or what? - yes, for the FLYERS!) Later............................... The Fuzzy Navel ORQ:"Ignorance and prejudice and fear walk hand in hand" ---------------------------------------------------------- Date: Thu, 31 Oct 91 19:49:17 -0500 From: nam2@po.CWRU.Edu (Nicholas A. Mascari) Subject: Voice in Camera Eye Balaji !!!!! Yes, I too have noticed the voice in Camera Eye! It happens in other parts of the song too. But I can't make out what is being said. This just happens to be one of my all-time favorite songs!!! But if any of you guys out there who ran Dreamline through your Macs or whatever just to hear the damn WOOD BLOCK noises could do that with CE, maybe we can here what is being said. Also, to Matt, no problem! We dumb, ignorant Americans gotta stick together. Also, is Neil going to be on Rockline or not? And if he is, WHEN???? Where can I get Rush posters? I have none, but want some. Is anyone a member of the Rush Backstage Club? If you are, please Email me some info on how to join. Finally, thanks to Loretta for her help and information! "...until later..." (SDT) -- |~~~\ | | /~~~\ | | Nick Mascari-Case Western Reserve | / | | \ | | "If you choose not to decide, you |~~\ | | \ |~~~~| still have made a choice" | \ \__/ \___/ | | Look for "Peart" on IRC ---------------------------------------------------------- Date: Thu, 31 Oct 91 20:09:44 EST From: Ross Allan Roberts <rroberts@magnus.acs.ohio-state.edu> Subject: Rush RollTheBones Tour Shirt... Imagine my shock to notice that my Black RTB t-shirt's graphics were drawn by the one and only Pushead! (of Mettalica artwork fame) Has Pushead done other (major) contributions to bands, or is this his first one he's done outside of the Mighty Met? If you haven't seen it, it has the kid from the RTB cover, in boney appearance, kicking a skull w/sunglasses, standing on top of (suprise) a pile of bones. Really neat. Yet another link between Metalica and Rush. (the first was in a SPIN interview with Metallica, who said they were influenced in some ways by Rush... ) As always, Row The Boats. ############################################################################# #Ross Roberts (rroberts@magnus.acs.ohio-state.edu)|'85 IT200, '81 MX100 # #DoD#0340, still patiently awaiting the 6ooF2... |'88 Warrior, '85 ATC250R # #---------------------4-stroke good, 2-stroke gooder!---------------------- # Today's Lyric:'Why does it hurt when I pee?': Frank Zappa ############################################################################# ---------------------------------------------------------- Date: Thu, 31 Oct 91 21:01:41 EST From: jaeger@buphy.bu.edu (Gregg Jaeger) Subject: you can twist perceptions/ reality won't budge. Thanks for nothing, G.A. Lira: >From: Gonzalo.A.Lira.Jr@Dartmouth.EDU >Subject: lyrics and stuff > >[A little prefatory note: some smart guy named Gregg Jaeger criticized my >saying that Barth's Tidewater Tales was a small, personal version of Dos >Passos' U.S.A. This smart guy said, and I quote: "I think it's ridiculous to >see The Tidewater Tales as like Dos Passos' U.S.A. in any significant way. >U.S.A. is fundamentally sociopolitical, while TTT is fundamentally personal." >As I said, TTT is a small, personal version of U.S.A.] Glad to see Dos' name is spelled properly this time. The book is called ``The Tidewater Tales.'' First, let me say that I take offense at this sarcasm. Gonzalo was apparently more interested at finding something to _flame_ me about for being critical of the submitted post, rather than _understanding_ the criticism itself. Gonzalo's response is ludicrous, and about as sensible as the following: person A says ``My dog is a black version of your dog; it's a black bulldog'' (when person B's dog is really a golden retriever), and person B says ``My dog is _not_ a bulldog! It is a golden retriever and yours is a black bulldog! Comparing them is ludicrous,'' to which person A (someone with a Gonzaloid sense of logic) rejoinds ``See, I _said_ my dog is black, smarty!'' The point is that B's dog is a _retriever_, not that A's dog is _black_! The relevant point is that retrievers are _not_ the same or even _like_ bulldogs. What Gonzalo originally said about _TTT_ and _U.S.A._ was: >> About the Tide-Water Tales: It's a book by John Barth, one of >>these blow-out novels that middle aged dudes can't seem to have enough self >>restraint to not write, a sort of poor man's Ulysses. I paged through it, and >>it seemed rather boring, although it might be interesting from a technical >>point of view. In a way, it seemed a small, personal version of John Dos >>Pasos' U.S.A. Being smart-arsed seems to be the mode. Forming opinions by ``paging through,'' eh? I responded to this silly, see-all-I-read(-but-didn't-understand) posting as follows: :I think it is ridiculous to see _TTT_ as like Dos Passos' (the correct :spelling) _U.S.A._ in any significant way. _U.S.A._ is fundamentally :sociopolitical, while _TTT_ is fundamentally personal. (Gee, sounds like :the difference between Grace/Pow and Presto/RTB.) One work (_USA_) is :modern, the other (_TTT_) is post-modern, and the styles of the two :have little or nothing in common. It seems that the _meaning_ of my response was utterly ignored. The nature of Gonzalo's comeback clearly illustrates this fact. My point was is that there is very very very little similarity between the two books, so there is no sense is saying one is an _anything_ version of the other. I said _U.S.A._ is fundamentally sociopolitical and modern, while _TTT_ is personal and post-modern and the styles have very little or nothing in common; and the response was `See, I said _TTT_ is personal!' This is just not the point! The only similarity between these two books other than the fact that they were both written by Americans during our century is the fact that Neil read both. Let's not get smart-arsed about things; let's deal with them. Face Up! _TTT_ is _not_ like _U.S.A._; it is senseless to say that _TTT_ is a small personal version of _U.S.A._. ``A fact's a fact''. It makes sense to say that a black retriever is a black version of a golden retriever, but it does _not_ make sense to say that the black _bulldog_ is black version of the golden retriever. Get the drift? ``You can twist perceptions/ Reality won't budge''. Gregg ----------------------------------------------------------
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