The National Midnight Star #142

Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list Subject: 01/04/91 - The National Midnight Star #142
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** The National Midnight Star, Number 142 Friday, 4 January 1991 Today's Topics: Extra goodies RUSH in the Top 1000 songs MTV and other RUSH bits (none) Rush and "classic rock" stations Neil Interview - Modern Drummer 3/87 ---------------------------------------------------------- From: Editor, The National Midnight Star Subject: Extra goodies Since we're in a temporary lull currently, I thought I'd grab this chance to add a couple of special items into the regular digests instead of having special editions. The first is the last article in this edition, an interview with Neil transcribed from Modern Drummer. It's part one of the drum give-away. rush-mgr ---------------------------------------------------------- Date: Thu, 3 Jan 91 09:34:27 -0800 From: David Conley <dmc@u.washington.edu> Subject: RUSH in the Top 1000 songs I listened to parts of the "Top 1000 Songs of All Time" countdown show that was broadcast over the course of 4 days (culminating on New Years Eve) on KISW here in Seattle. I was pleasantly surprised to find many Rush tunes in the list. Closer to the Heart, Limelight, and Spirit of Radio were all there, but what really made me smile was the COMPLETE first side of 2112 checked in at #123, and get this: Tom Saywer was #11! Kinda restores my faith in the progressive rock stations. "One likes to believe in the freedom of music!" Cheers Dave ----- David Conley "The Digital Anatomist" ;;dmc@milton.u.washington.edu University of Washington School of Medicine, Seattle ---------------------------------------------------------- Date: Thu, 3 Jan 91 14:17 EST From: THOMPS00%SNYBUFVA.BITNET@CORNELLC.cit.cornell.edu Subject: MTV and other RUSH bits To whomever brought up eMpTyV yesterday: I also remember the days when RUSH was a constant group featured on the channel....To bad MTV changed it's ways. Other Tidbits: I received the EXIT STAGE LEFT cassette dor Xmas this year and noticed the bad audio quality of this recording...The bass line was way over what it should be, and the midranges and highs could barely be heard...I wouldn't recommend buying the casette version, but the CD version is much better. Also, I was in the record store yesterday, and noticed a Rush album titled ARCHIVES....Picking it up, I found out that it is a double casette feturing Rush's first 3 albums (RUSH,FLY BY NIGHT,and CARESS OF STEEL). Just thought you might like to know Beeker ---------------------------------------------------------- Date: Thu, 3 Jan 91 23:18:36 EST From: vanth!jms@amix.commodore.com (Jim Shaffer) I was reading something the other day and came across a quote that screamed out at me to be sent to the digest: No other idol possesses its devotees so compellingly as the automobile, nor does any other god demand such human sacrifice, not even Ares; the apple of our modern Eden is a red sports car. T. B. Pawlicki "Exploring Hyperspace in Everyday Life" (To be honest, I'm afraid I disagree with him about Ares. And let's all hope that we *don't* have Mars on the horizon, even though it's not the Soviets giving us the blues.) -- paper : James Shaffer Jr., 37 Brook Street, Montgomery, PA 17752 uucp : uunet!cbmvax!amix!vanth!jms (or) rutgers!cbmvax!amix!vanth!jms domain: jms%vanth@amix.commodore.com CompuServe: 72750,2335 quote : "Glittering prizes and endless compromises shatter the illusion of integrity." (Rush) ---------------------------------------------------------- Date: Fri, 4 Jan 91 07:51:31 EST From: Corum%USCN.BITNET@uga.cc.uga.edu Subject: Rush and "classic rock" stations Rush doesn't garner much, if any, airplay here in Atlanta on our soi- disant classic rock station. I wonder if the same is true up North, where music and radio seem a little more, uh, advanced....? :-) When I queried that station as to why Rush was rarely (if ever) heard, the jock replied that Rush "isn't classic enough." Harrummph. On the other hand, our AOR station plays a fair amount of Rush (in between the trudging Southern rock stuff they overplay). This station, WKLS, released a Top 296 Songs of All Time list a few years back (just after P/G, as I recall), with no less than 13 Rush songs included. There were 7 Rush songs in the Top 80; the only other band achieving that mark was Van Halen, and they had #80, so Rush reigned supreme in the Top 79.... :-) --Paul GEnie: P.CASHMAN CIS: 71520,3130 corum@uscn.bitnet President, Int'l Michael Moorcock Appreciation Society ---------------------------------------------------------- From: mjahnke%sdcc13@ucsd.edu (******* Meg *********) Subject: Neil Interview - Modern Drummer 3/87 _Modern Drummer_ - March 1987 "Just Another Drumset Giveaway!" Win Neil's Drums Official Rules -------------- 1. Cassette tapes only; no microcassettes or reel-to-reels. 2. Solo must be two minutes in length or less. 3. Solo should consist of a drummer's performance only; no accompanying musicians, sequencers, drum machines, etc. Also, no overdubbing. 4. Solo must be original in nature; reproduction of previously recorded or printed solos are not acceptable. 5. Only one tape per drummer will be accepted. 6. No spoken material allowed on tape. 7. Cassette must be clearly marked with drummer's name, address, and phone number. (Please mark the cassette itself -- not the box.) 8. A signed official entry form must accompany cassette (original or photocopy). No other written material, photos, etc., will be accepted. (If contestant is under 18 years of age, the contestant's legal guardian must sign the entry form.) 9. Entry must be postmarked no later than April 30,1987. 10. Tapes become the property of Modern Drummer Publications and cannot be returned. 11. Winners will be announced in the October 1987 issue of Modern Drummer. 12. Void where prohibited. Mail entry forms to: Modern Drummer, Attn: Neil Peart Drumset Giveaway 870 Pompton Ave.,Cedar Grove, NJ 07009 Letter from Neil ---------------- Fellow Drummers: I have recently put together a new drumset for myself (about which more will appear in the next issue of MD), and I'm starting to feel like I have too many good drums just sitting around. (You should have such problems, right?) Now, I'm not greedy, and all these drums are more than I really need. If I have one drumkit for touring and recording, and one at home for practice and recreation, what use can I possibly have for all these others? The answer, I've decided, is none; thus, I have decided to give the extra ones away. Some of you may recall that a few years ago I gave away a nice Tama kit by means of an essay contest here in MD. This worked out quite well, as I was able to choose a deserving winner by way of his words, and he in turn was generous enough to pass his drums along to the person I chose as runner-up. The only trouble was that I had to read 4,625 essays, which took up rather a large portion of my holidays! It was more than I bargained for, I'd have to say, though I'm glad I did it -- once! So this time, I put my ideas together with the people here at MD, and we decided to do it a little differently. We would like to hear a taped drum performance from you. We have determined a limit of two minutes, to be recorded on a cassette tape, in which you can express what you feel is your best work. If you wish to make it shorter, that's fine (we judges won't mind!), but please don't bother to make it longer, as we judges won't be listening! Recording quality will not be taken into account, so don't worry too much about that. We will be looking for things like originality, technique, structure, imagination, musicality -- the intangible qualities that together make a good musician. Play any style, any approach you like; there are no limitations save your own (and the two-minute one!) So give it your best thought, give it your best shot, and put it in the mail slot. (This guy writes lyrics?) We await your entries with open ears. First Prize - One Candy Apple Red Tama kit (the prototype Artstar shells), with two 24" bass drums, 6", 8", 10", and 12" concert toms, and 12", 13", 15", and 18" toms. All the drums have brass-plated hardware. There is also the "satellite" kit consisting of an 18" bass drum, four matching red Simmons pads, and a Simmons SDS 5 module. Oh all right, I'll throw in a 13" wood-shell timbale and a 22" gong bass drum, too. (This setup was used in the recording of _Power Windows_, _Grace Under Pressure_, and _Signals_, as well as the subsequent tours.) Second Prize - One Black Chrome Slingerland kit, with two 24" bass drums, 6", 8", 10", and 12" concert toms, 12", 13", 15", and 18" toms, and a pair of 13" and 14" brass timbales. (This kit was used in the recording of _A Farewell To Kings_ and _Hemispheres_, and the endless tours which followed them!) Third Prize - One Chrome Slingerland kit, with two 22" bass drums, 6", 8", 10", and 12" concert toms (copper finish), two 13" toms, one 14" tom, a 16" floor tom, and a chrome timbale. (Used in the recording of _Fly By Night_, _Caress Of Steel_, _2112_, _All The World's A Stage_, and on those equally endless tours.) All the kits are complete with basic mounting hardware and heads, and even a few stands as well. I'm sorry there are no snare drums for any of the kits, but I'm keeping the one snare that all those kits had in common! (Some things you just can't replace!) To quote once again from one of the entrants in the last contest: "Good luck is when preparation meets opportunity." So, Good Luck! Yours truly, Neil Peart ----------------------------------------------------------
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