The National Midnight Star #13

Errors-To: rush@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush-list-all Subject: RUSH Fans Digest of 07/18/90 (#13)
RUSH Fans Digest, Number 13 Wednesday, 18 July 1990 Today's Topics: Re: RUSH Fans Digest of 07/17/90 (#12) Least favourite albums Defense of P/G RE: RUSH Fans Digest of 07/16/90 (#11) Re: RUSH Fans Digest of 07/17/90 (#12) RUSH Fans Digest, Number 12 Tuesday, 17 July 1990 Re: least favorites Least Favorite???? ---------------------------------------------------------- Date: Tue, 17 Jul 1990 10:20:25 PDT From: Anand Rangarajan <anand%ariel.usc.edu@usc.edu> Subject: Re: RUSH Fans Digest of 07/17/90 (#12) I would like to respond to Doug Grumann's opinion of P/G (Grace Under Pressure). It would help to remember that P/G came out in 1984, the height of the cold war and shortly after Robbie Whelan (a close friend) had died. There were plenty of rumors of a break-up due to their dissatisfaction with the Signals tour (I like Signals but the production is lousy). Consequently, P/G was one of the darkest albums made by Rush. But this doesn't mean that it is one of their worst. The quality of the lyrics especially on ``Distant Early Warning'' followed by ``Red Sector A'', ``The Enemy Within'', ``Between the Wheels'', ``red lenses'' and ``Afterimage'' is first class. ``Distant Early Warning'' has a dual nature since the person seems to be simultaneously talking about the earth and about a relationship. This is very sophisticated and I have a special fondness for this song since my native language, Tamil employs this device constantly. The music seems quite melodic to me and Alex's guitar stands out. After getting buried on _Signals_, he is reasserting himself here. The solos in ``Kid Gloves'' and ``Between the Wheels'' are incredible. I think I share the opinion with someone else on this list that ``Between the Wheels'' has one of the most emotional solos done by Alex ever. The biography by Bill Banasiewicz (sp?) points out that the symbol of an egg caught in a vice is how the band saw themselves during that period. I am not sure if Doug sees any overtly leftist signs in the ``redness'' of the album; I read the redness as mostly anger and frustration directed outwards and within. P/G is the stuff nightmares are made of. The album has problems. There is too little anchor by way of Geddy's bass and consequently the songs don't seem fully fleshed out, something that they corrected on _Power Windows_. P/G does seem dated even for 1984 and the contrast between Peter Henderson (P/G) and Peter Collins (Power Windows) is striking when you play both albums back-to-back. Anand Rangarajan anand@ariel.usc.edu ``Image is just an eyeless game'' ---------------------------------------------------------- Date: Tue, 17 Jul 90 14:40 EDT From: "Derek D. Lichter [MacLover]" <DEREK%ALBNYVMS.BITNET@UACSC2.ALBANY.EDU> Subject: Least favourite albums Regarding Doug's queries in the last digest, I personally have Grace Under Pressure right there at the top of my list of RUSH albums. When I first got it, I didn't enjoy it so much, but it gets better every listen for me. It's hard to describe why: lyrically, I think it has some of the most smooth, flowing lyrics Peart's ever done; every word seems to go so well with the music accompanying, that the emotional reaction it elicits from me is very strong. The 'B' side (I know, I know, I have CDs too, but there's STILL a 'B' side!) is just as good as the more standard songs on the 'A' side. I know what you mean about P/G's "redness" -- it's a very dark album, and ends on a downer, emotionally, with "Between the Wheels," but for me that slightly depressing tone makes it even more powerful. (Also, if I ever need to get psyched for something, all I need to play is "The Enemy Within" and I'm all set.) Songs like "Red Lenses" and "Kid Gloves" sound so extemporaneous and progressive that they never lose their edge. And of course, musically it's superb (I think it's got some of Geddy's best bass). I don't think P/G was such a change in direction for the boyz as it was a natural, stretched extension of _Signals_. The lyrics have a similar "down" side to them, and I think that Signals had the three best individual tunes of the pair (in "Subdivisions" "The Analog Kid" and "Losing It...") but all in all P/G was more consistent and had MUCH better production (i.e. not so murky-sounding). Well enough rambling on that... let's ramble about something else! In this case, Peter Gabriel. I think you picked up PG IV rather than III, which is labelled as "Security" in the states (I could have the numbering mixed up, I don't have them here). That album still has terrific stuff ("The Intruder" "Shooting Into the Light" "Biko") so don't be disappointed, it'll probably grow on you. It did on me, anyway (eeyyyaaah!! it's hanging off my shoulder right now!!) :-) right, enough work-avoidance... Derek L. ---------------------------------------------------------- Date: Tue, 17 Jul 90 16:15 EDT From: "Malzor" <MXP122@PSUVM.PSU.EDU> Subject: Defense of P/G Grace Under Pressure was my first album (I got hooked on SOH and had to have more.) P/G is simply the best RUSH album folloed by Power Windows, and HYF/Presto up there somewhere too. I have all of their albums, all of which are really great and smashing. . but P/G is definitely the best single album of the lot. . .it is powerful, intelligent, creative, and full of energy. I think some of Alex's best guitar riffs reside here too (where as Geddy's best on bass lie on Power Windows and HYF) Later. Mark ---------------------------------------------------------- Date: Tue, 17 Jul 90 08:48:58 CDT From: storey%batse.span@Fedex.Msfc.Nasa.Gov (SCOTT STOREY X7700) Subject: RE: RUSH Fans Digest of 07/16/90 (#11) I thought about the Stellar Dynamics question and realized that the question is too big. Can you be more specific about the context in which the subject came up? Also, I have a copy of 'Presto' and I do not have the 3-4 second gap in Superconductor. However, I did not get it from a CD club, I bought it at the store. Later Scott ---------------------------------------------------------- Date: Tue, 17 Jul 90 19:29:25 PDT From: essl@sim.Berkeley.EDU (Jake Essl) Subject: Re: RUSH Fans Digest of 07/17/90 (#12) RUSH Fans Digest, Number 12 Tuesday, 17 July 1990 Just a short out of Place note.... You got the right Gabriel Album. Jake ---------------------------------------------------------- Date: Wed, 18 Jul 90 08:39 EST From: "Rush...Banshees encased in an electronic cocoon...the pipers at the gates of d Subject: Re: least favorites I don't think that Grace Under Pressure is such a bad album. It was an album produced without Terry Brown, and it had an angry tone in it. Rush was criticized by many who thought Signals was a wimpy album and that could have something to do with it's sound. The song 'Afterimage' was written by Neil after a close friend of his passed away, which explains some of the angry lyrics. Alex seemed more confident in his playing in that he was louder and his sound was coming through more. (My thoughts on Alex is that if he weren't with Rush he would make a better rhythm guitarist rather than lead. This isn't bad, just it seems that he doesn't want to play out or above the rest of the group.) His solo in 'Kid Gloves' is the best piece of guitar work I have ever heard him play (I believe someone else on the list also said this, and I whole-heartedly agree). I also think this that Grace Under Pressure is Alex's best album. p/g isn't my favorite album, but it does convey a message in it's music which is my only criteria for a good album or song. I'm not critcizing Doug's views, I'm just throwing my two pennies into the frey. ---------------------------------------------------------- Date: Wed, 18 Jul 90 08:38 CDT Subject: Least Favorite???? From: skennedy@ihlpb.att.com! Doug Grumann <dougg@hpptc16.hp.com> seez: >Here's something I've always wanted to run past fellow Rush fans: I think that >Grace Under Pressure is Rush's WORST album (even behind Rush Rush). I get >depressed every time I attempt to sit through it, and the sheer REDness of it >bothers me. Does anybody else have strong opinions about P/G? Am I missing >a deep (red) philosophical message or something? Now wait a minute. I may be a relatively new listener to Rush, (I started with P/G in 1984) but I rather like that album. Coming (originally) from a culturally- backward area (the boonies in IN), I only discovered RUSH through the help of the music videos and some air time through a local album-only radio station. I like the songs such as "Distant Early Warning" and "The Enemy Within". Don't get me wrong, it's not their best album, but it's certainly not their worst. I give that dubious honor to Rush Rush. As far as the REDness of the album, I would like to think that it has something to do with East vs West, Communism vs Captitalism, etc...; basically about the paranoia that still exists about the Cold War. (It's been years since I have read the tour book, so if I'm wrong - somebody please correct me!!) I'm not trying to start a flame-fest, but rather give an alterantive viewpoint!! :-) As always, JMHO. Shawn Kennedy AT&T Bell Labs - Naperville, IL skennedy@ihlpb.att.com Disclaimer: Me! Me! I speak only for Me!! ORQ: "I never meant what you're thinking, that's not what I meant at all." - HYF: Open Secrets ----------------------------------------------------------
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